In 1933 Spanish poet and theater director Federico Garcia Lorca gave a lecture in Buenos Aires titled “Play and Theory of the Duende” in which he addressed the fiery spirit behind what makes great performance stir the emotions:

“The duende, then, is a power, not a work. It is a struggle, not a thought. I have heard an old maestro of the guitar say, ”The duende is not in the throat; the duende climbs up inside you, from the soles of the feet.’ Meaning this: it is not a question of ability, but of true, living style, of blood, of the most ancient culture, of spontaneous creation … everything that has black sounds in it, has duende.”